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infraordinaire   visual services services visuels About À propos
   
 Suave SP
01 city. 14 photographers. 6am–6pm. 01 week. 01 ville. 14 photographes. 18h–6h. 01 semaine.
2018 
Client
Scope
CD
Design
Samsung
Motion, Editorial, Installation
Void
IO, Quinta-feira

CloseFermerVoid magazine sent sixteen photographers across São Paulo to document nightlife from 6pm to 6am for a whole week. The assignment, commissioned by Samsung via its agency to showcase the then-new Samsung S22, began as a photography issue. After the agency censored a large portion of the images, it later agreed to finance an uncensored edition published by Void. The project subsequently expanded into a film. My role combined fieldwork and post: shooting, magazine co-edit, film edit, and motion graphics. For the launch, a site-specific projection installation extended the work into the space.Le magazine Void a envoyé seize photographes à travers São Paulo pour documenter la vie nocturne de 18h à 6h pendant une semaine entière. La commande, confiée par Samsung par l’intermédiaire de son agence pour mettre en avant le tout nouveau Samsung S22, a d’abord pris la forme d’un numéro photographique. Après que l’agence a censuré une grande partie des images, elle a finalement accepté de financer une édition non censurée publiée par Void.

Le projet s’est ensuite prolongé sous la forme d’un film. Mon rôle réunissait le travail de terrain et la postproduction: prises de vue, coédition du magazine, montage du film et motion graphics. Pour le lancement, une installation de projection in situ a prolongé le travail dans l’espace.
     
 Rio de Janeiro Museum of JusticeMuseu da Justiça de Rio de Janeiro
Renewing an iconic cultural institution for the modern era. Repositionnement d’une institution culturelle historique.
2025 
Client
Scope
Coord
CD
Design


 Museu da Justiça
Identity, Art Direction, Exhibition
Faro
IO, Quinta-feira
IO, Quinta-feiraClose
As part of the museum’s renewal, the visual identity and exhibition graphics were rebuilt for the permanent collection and two shows. Scope spanned print, video, digital and social channels, invitations, and promotional materials, unified by a modular system and consistent typography. Exhibition identity and gallery graphics included wall text, section panels, object labels, and promotional print, delivered as reusable templates and standards. This supported immediate programming while establishing foundations for future exhibitions.

Guided by the goal of bringing justice closer to the public, the work prioritized plain language, clear hierarchy, and legibility; titles, dates, and curatorial texts were standardized for quick scanning, and file kits, type scales, and layout rules were documented so the museum’s team can produce new materials autonomously, ensuring continuity over time. The result is a clearer, more approachable presence that helps the museum communicate its collection and program to broader audiences.

     
 Falklands Malvinas: a War diaryFalklands Malvinas: journal de guerre
BROADCAST DESIGN inspired by W. Kentridge. Titres et motion en image par image inspirés de W. Kentridge.
2024 
Client
Scope
direction
ex prod
Edit
Design
Globoplay
Broadcast Design, Motion
Eugenia Moreyra
Sofia Pereira
Dani Dantas
IO, Quinta-feira The feature documentary Falklands Malvinas: a War Diary follows war journalist Ricardo Pereira as he revisits an Argentine soldier’s diary he discovered during the Falklands conflict. In the final months of his life, he seeks its author and proposes a return to the islands, shaping a last story of memory, loss, and reconciliation. Opening titles and motion graphics, including a library of editorial graphics (intertitles, lower-thirds, and geography/time markers), were developed to articulate this arc. As the diary guides the narrative flow, a hand-drawn treatment with gestures inspired by William Kentridge was chosen to set a reflective, historical tone. After Effects was used to build the collage base by layering fragments from various videos into compositions, then Procreate was used to hand-draw the final piece frame by frame. Watch here
     
 Iras Fajro
tour visuals for Iras Fajro album. Séquences visuelles pour le concert-album Iras Fajro.
2019 
Client
Scope
CD
label
Yamila
Motion, Live Video Perf
IO
Forbidden Colours
CloseDesign and creative direction for musician and producer Yamila. The visuals were developed for Iras Fajro, her debut on Forbidden Colours, to promote and support the album across video, stage, and digital release. Responding to its dreamy, nostalgic atmosphere, archival footage was slowed, blended, and reworked into layered sequences that reflect the tension between electronic rhythms and a fragile voice, with contributions from Clark (Warp) and Niño de Elche (Sony). Combining live VJ techniques with motion graphics, the work brings together crisp rhythmic structure and warm, organic textures in a restrained visual language shaped to move with the music.

   
 redley
 brand refresh in motion. brand refresh in motion.
2026 
Client
Scope
CD
lead
DESIGN client
scope
cd
lead
design
Redley
Motion, KV, Case Study
Vapor
Quinta-feira
IO
CloseFermerVoid magazine sent sixteen photographers across São Paulo to document nightlife from 6pm to 6am for a whole week. The assignment, commissioned by Samsung via its agency to showcase the then-new Samsung S22, began as a photography issue. After the agency censored a large portion of the images, it later agreed to finance an uncensored edition published by Void. The project subsequently expanded into a film. My role combined fieldwork and post: shooting, magazine co-edit, film edit, and motion graphics. For the launch, a site-specific projection installation extended the work into the space.Le magazine Void a envoyé seize photographes à travers São Paulo pour documenter la vie nocturne de 18h à 6h pendant une semaine entière. La commande, confiée par Samsung par l’intermédiaire de son agence pour mettre en avant le tout nouveau Samsung S22, a d’abord pris la forme d’un numéro photographique. Après que l’agence a censuré une grande partie des images, elle a finalement accepté de financer une édition non censurée publiée par Void. Le projet s’est ensuite prolongé sous la forme d’un film. Mon rôle réunissait le travail de terrain et la postproduction: prises de vue, coédition du magazine, montage du film et motion graphics. Pour le lancement, une installation de projection in situ a prolongé le travail dans l’espace.
   
 Automatica
Two decades of work as an archive and internal publishing hub. Vingt ans d’archives et d’outil éditorial interne.
2024 
Client
Scope
lead
DESIGN
Automatica
Website
Quinta-feira
IO
CloseSince 2005, Automatica has been developing cultural projects across creation, production, curation and coordination for exhibitions, educational programs and publications—building a portfolio through collaborations with artists, curators, cultural institutions, as well as participation in calls and awards. The new website, designed to showcase this breadth, uses a modular identity and a lightweight structure on a no-code platform to keep costs down while staying polished and reliable. A search and filtering tool helps visitors navigate a large archive, and the same system doubles as an accessible internal repository, reflecting nearly two decades of activity. Visit live site
    
 Portal de Algodões
Identity and applications for electronic music festival.
2025 
Client
Scope
design
Portal de Algodões
Identity, Digital, KV
IO, GraveCloseVisual identity and merchandise developed for Portal de Algodões, a New Year’s festival on Praia de Algodões, Maraú, Bahia. The identity translates the festival’s mix of Brazilian and electronic sounds into a tropical-minimal system tailored to its place.


    
 miscellaneous
Off-series pieces and single outputs outside main case studies
2025 

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